About Author

Anthony Dominguez is a PhD candidate in Cinema Studies at NYU Tisch. He holds an MA in Film Studies from the CUNY Graduate Center and a BA in English and Film from SUNY Albany. His research interests include urban screens; Japanese cinema; afro-surrealism; and the late-cinema of Jean-Luc Godard. He has previously delivered conference papers on the avant-garde Black comedy of Adult Swim, and Godard’s use of irony as a critique of capitalism in Week End (1967).