Michael Palmieri and Donald Mosher – The Gospel of Eureka

Video killed the radio-star, and I’d be quick to add, the death of storytelling’s oral tradition. But one can’t ignore the rise and popularity of audiobooks and podcasts. Michael Palmieri and Donald Mosher’s The Gospel of Eureka appropriately begins with the image of a black screen and an accompanying voice-over: “Everyone loves a good story … Continue reading Michael Palmieri and Donald Mosher – The Gospel of Eureka

Advertisements

Agnes Varda – Cleo from 5 to 7 / Jane Campion – The Portrait of a Lady

The following is part one my coverage of Film at Lincoln Center’s 50th Mixtape: Free Double Features series. The common thread between Agnes Varda’s Cleo from 5 to 7 (1962) and Jane Campion’s The Portrait of a Lady (1996) is time and freedom. Cleo (Corinne Marchand), feeling trapped by the chanteuse industry, anxiously wanders Paris … Continue reading Agnes Varda – Cleo from 5 to 7 / Jane Campion – The Portrait of a Lady

Top Films of 2018

Let the Sunshine In – Claire Denis Zama – Lucrecia Martel First Reformed – Paul Schrader Burning – Lee Chang-dong Shoplifters – Hirokazu Kore-eda Madeline’s Madeline – Josephine Decker Shirkers – Sandi Tan Notes on Appearance – Ricky D’Ambrose Hale County This Morning, This Evening – RaMell Ross Golden Exits – Alex Ross Perry

Nathan Silver – The Great Pretender

Nathan Silver’s The Great Pretender is part of a bigger milieu of independent New York city-based films this year, joining its immediate predecessors, Alex Ross Perry’s Golden Exits and Ricky D’Ambrose’s Notes on Appearance. All three films are concerned with White upper-middle class New Yorkers navigating thin lines between work, life, art, love and so … Continue reading Nathan Silver – The Great Pretender

Hong Sang-Soo – On the Beach at Night Alone

In his latest film On the Beach at Night Alone, Hong Sang-Soo’s writing and direction displays a maturation from his previous work, eschewing somber ambiguity instead for emotional closure. This latter element in combination with self-reflexive topics taken from his own life, demonstrates how Sang-Soo has a nuanced understanding of his own work, further building … Continue reading Hong Sang-Soo – On the Beach at Night Alone