Jim Jarmusch – The Dead Don’t Die

The Dead Don’t Die (2019) carries a wayward restlessness reminiscent of improvisational noise-rock. To trace this aesthetic lineage, recall Jarmusch’s debut Permanent Vacation (1980); Jarmusch captured downtown New York’s then No-Wave atmosphere, presenting the city as a bombed out and empty playground for poets. The connection becomes more established through Chloë Sevigny, who co-stars in … Continue reading Jim Jarmusch – The Dead Don’t Die

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Film of the Week: Pola X

In collaborating with one another, Leos Carax and Scott Walker prove they’re a match made in Heaven. Or perhaps more appropriately, Hell. Walker’s soundscape already conjures images reminiscent of Dante’s descent into the underworld. Just earlier this year, Godard employed Walker’s “Cossacks Are” to open The Image Book, establishing a nightmarish mood. Walker’s music, then, … Continue reading Film of the Week: Pola X

Francois Truffaut – Two English Girls / David Lynch – Mulholland Drive

The following is part two of my coverage of Film at Lincoln Center’s 50th Mixtape: Free Double Features series. Part one can be read, here. No hay banda -Mulholland Drive To choose between two things, you must know both. l can't choose vice or virtue knowing only virtue. -Two English Girls The first question to … Continue reading Francois Truffaut – Two English Girls / David Lynch – Mulholland Drive

Film of the Week: Chameleon Street

Here’s a movie released thirty years ago that still puts its like-minded contemporaries to shame: Wendall B. Harris Jr.’s Chameleon Street (1989). Taking the Grand Jury Prize at the 1990 Sundance Film Festival, Chameleon Street seemed to be apocryphal for Black-American independent filmmaking, but history and those who control it would have otherwise. As Harris … Continue reading Film of the Week: Chameleon Street