Film of the Week: Europa Europa

Agnieszka Holland’s Europa Europa (1990) centers on Solomon “Solek” Perei (Marco Hofschneider), a German Jewish boy who survives the holocaust by pretending to be the enemy—first a Communist at the Bolshevik orphanage he takes flight to, and later, a Hitler Youth in the Nazi army. Solek survives through his ingenuity, carefulness (as a solder, he…

Film of the Week: The Hitch-Hiker

In The Hitch-Hiker, Ida Lupino upends the noir genre, playing on the fear of everyday Americans. Roy Collins (Edmon O’Brien) and Gilbert Bowen (Frank Lovejoy) are two friends on their way to Mexico for a fishing trip when they’re taken hostage by Emmet Myers (William Talman), a criminal on the run. A simple story, but…

Il Boom: Vittorio De Sica’s Kinetic Satire

If Antonioni’s L’Avventura (1960) contextualizes capitalistic consumption within existential ennui, then Vittorio De Sica’s Il Boom (1963) can be seen as L’Avventura’s obverse, situating materialistic greed in a comedic framework. Il Boom tells the story of Giovanni Alberti (Alberto Sordi), a failing building contractor massively in debt. Deeply in love with his wife Silvia (Gianna…

Film of the Week: Marseille

  Angela Schanelec’s Marseille begins with a close-up shot of a female driver seen from behind. The driver asks her passenger three questions, all of which are answered “no.” “Where is it,” “Do you know your way round,” and “Is there a map in there?” Marseille stars Maren Eggert as Sophie, a young photographer who…

Film of the Week: Unguided Tour

In Susan Sontag’s Unguided Tour (1983), the past subsumes the present. Sontag emphasizes the stories permeating underneath the camera’s frame; the essence and memory of things. An unnamed couple walk through Venice. The woman (Lucinda Childs) ruminates on the parallels between the city and her relationship, both faltering. Sontag directs and edits Unguided Tour as…